Film + Theatre
In recent years, Thiana has expanded on her extensive fashion experience to include theatre and dramatic film.
From the smallest of independent films, to large scale musicals, Thiana and her team will efficiently work through your cast, to re-create a look that defines a character and lasts the distance of hours under lights.
Previous film and theatre engagements include:
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EVENTAINMENT's first musical of 2007 was the sold out hit HAIR, the Tribal Love-Rock Musical, performed at the Regal Theatre in Perth in May 2007. Starring
Cosima De Vito, Rob Mills
andCle Wootton
of Australian Idol fame, and 'Mo' and 'Variety Heart' award winnerNikki Webster
the production was enjoyed by over 15,000 theatre hungry Western Australians, some excited eastern staters and one special fan that flew in from the UK. HAIR was the first in a series of musical theatre productions produced by Eventainment aimed at finally bringing internationally recognised musicals to WA at the quality standards befitting musicals of their stature. To do this we use recognised international and national artists as well as highly trained Australian actors, such as graduates of NIDA or WAAPA and all our actors and musicians are paid well for their services.•

Our 2007 season will end with the worldwide smash hit musical RENT. RENT is considered the first breakthrough rock musical since HAIR and the greatest rock musical of modern times, and EVENTAINMENT is proud to bring both musicals to Perth in 2007. Starring
Anthony Callea, Tim Campbell, Nikki Webster, Shane Jenek (Courtney Act)
and Andrew Conaghan (Berger in HAIR) RENT provides a scorching hot modern take on Puccini's La Boheme and is considered the greatest rock musical of modern times. This stirring musical centres on a group of impoverished young artists and musicians struggling to survive and create in New York City's Bohemian East Village. Searching for love and dealing with loss these artists and musicians choose to embrace life as if there is NO DAY BUT TODAY!“I understand the importance of a strong cosmetic design that will allow a performer’s own skills to shine through. I also understand the level of energy backstage before a performance. I like to work with the designers and directors of a performance to create the perfect look for each character, which can be recreated night after night.”